MARTIN MARGIELA 1989
- Regular price
- $105.00 USD
- Regular price
-
- Sale price
- $105.00 USD
A rare and evocative zine documenting a pivotal moment in fashion history, this publication presents Jean Claude Coutausse’s photographs of Maison Martin Margiela’s seminal 1989 runway show in the Paris banlieue.
Published in 2019 by Dashwood Books, the zine captures an event that has become foundational to the mythology of contemporary fashion. During the show, local children famously climbed over surrounding walls and began walking alongside the models, dissolving the boundary between staged presentation and lived environment.
Rather than disrupting the runway, this spontaneous intervention reinforced Margiela’s anti-hierarchical ethos. The show transformed into a porous space—absorbing the neighborhood, its unpredictability, and its raw energy. Coutausse’s black-and-white photographs render this collision with documentary precision, focusing on gesture, proximity, and the shifting line between audience and participant.
Produced on the occasion of a Dashwood Books signing event accompanying RUNWAY: The Spectacle of Fashion, edited by Alix Browne and published by Rizzoli, the zine functions as both archival record and independent artifact. Its modest, staple-bound format underscores the immediacy of the moment it documents, privileging context and authenticity over conventional luxury.
A concise yet historically resonant publication that captures the radical spirit of late 20th-century fashion practice.
Publisher: Dashwood Books, New York
Year: 2019
Language: English
Format: Softcover, staple bound
Dimensions: 20.4 × 12.6 cm
Condition: Very good / excellent condition. Clean copy with tight staples and well-preserved covers.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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