WOLFGANG TILLMANS — KUNSTHALLE ZÜRICH
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- $377.00 USD
- Regular price
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- Sale price
- $377.00 USD
Photographer: Wolfgang Tillmans
Photographs and design: Wolfgang Tillmans
Editors: Bernhard Bürgi, Beatrix Ruf (Kunsthalle Zürich)
Publisher: JRP|Ringier, Zurich
Year: 2008. Reprint of the 1995 edition.
Format: Hardcover
Dimensions: 21.8 × 30.5 cm
Language: German / English
ISBN: 978-3-905829-36-5
Condition: Fine. No visible defects or damage to the interior or exterior; clean and exceptionally well-preserved copy.
A faithful reprint of the catalogue originally produced on the occasion of Wolfgang Tillmans' solo exhibition at the Kunsthalle Zürich in 1995, one of the earliest and most important institutional presentations of the artist's work.
The exhibition marked a significant moment in Tillmans' developing practice, which would go on to challenge established distinctions between photography, contemporary art, and everyday visual culture. In 2000, he became the first photographer and first non-British artist to receive the Turner Prize, further establishing the importance of his contribution to contemporary image-making.
Designed by Tillmans himself, the catalogue gathers the loose, intimate, and radically democratic image-world that defined his early work: portraits of friends and subcultural life, still lifes, landscapes, abstractions, and images drawn from magazines and everyday life. These works are reproduced through the casual precision and non-hierarchical sequencing that became central to Tillmans' visual language, allowing seemingly ordinary images to occupy the same space as more formally or conceptually charged photographs.
The catalogue draws on work made between the late 1980s and 1995, across Hamburg, London, New York, Los Angeles, Bournemouth, and beyond. Rather than presenting a conventional hierarchy of subjects, Tillmans' arrangement allows the photographs to establish relationships through proximity, rhythm, scale, and visual association. The result is a publication that functions not merely as a record of an exhibition, but as an extension of the artist's own approach to editing and display.
This 2008 reprint was produced as an initiative of Beatrix Ruf, then Director and Curator of the Kunsthalle Zürich, using Tillmans' original design and print material. Published by JRP|Ringier, Zurich, it preserves the structure and visual character of the original 1995 catalogue, making an important early institutional document of Tillmans' practice available in a later edition.
A significant publication for understanding the development of one of the most influential photographers of his generation, this volume remains an essential document of Tillmans' early image-world and of the exhibition that helped establish his institutional trajectory.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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