WOLFGANG TILLMANS - KUNSTSAMMLUNG NORDHEIM-WESTFALEN
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- $ 3,500.00 MXN
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- Sale price
- $ 3,500.00 MXN
Artist: Wolfgang Tillmans
Publisher: Kunstsammlung Nordrhein-Westfalen
Year: 2013
Format: Softcover
Dimensions: 21.8 × 28 × 2 cm
Pages: 240
Language: German / English
Condition: Very Good — light age-related wear; overall well preserved.
Wolfgang Tillmans. Kunstsammlung Nordrhein-Westfalen offers a comprehensive survey of Tillmans’ expansive visual practice and his sustained challenge to the conventional boundaries of photography.
Published in 2013 by Kunstsammlung Nordrhein-Westfalen, the volume accompanies the major retrospective presented at Moderna Museet between 2012 and 2013. Rather than positioning photography as a fixed or isolated medium, Tillmans has consistently approached image-making as an open field, describing himself as a “picture-maker” and moving freely between photographic, material, and spatial forms.
Across 240 pages, the publication brings together fashion photography, portraiture, still life, landscape, abstraction, and installation documentation. Images from his influential i-D period appear alongside portraits of Kate Moss, abstract photographic experiments, and works that reveal his ongoing interest in the physical and conceptual possibilities of the photographic image.
Space and sequencing remain fundamental to Tillmans’ practice. His exhibitions are constructed through carefully considered arrangements in which photographs of radically different scales, subjects, and visual registers exist alongside one another without a fixed hierarchy. The resulting installations allow clarity and ambiguity, intimacy and abstraction, to coexist within dense visual constellations.
The publication reflects this same logic, functioning less as a conventional chronological catalogue than as an immersive visual field. Familiar images are placed alongside less immediately recognizable works, emphasizing the breadth of Tillmans’ vocabulary and his refusal to separate everyday observation from formal experimentation.
A substantial survey of one of the most influential contemporary artists working with photography, this volume provides an expansive view of Tillmans’ approach to image-making, exhibition, and visual culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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