GODS OF EARTH AND HEAVEN
- Regular price
- $360.00 USD
- Regular price
-
- Sale price
- $360.00 USD
A haunting and visually uncompromising photobook, Gods of Earth and Heaven by Joel-Peter Witkin stands as one of the most iconic and unsettling works in late twentieth-century photography.
Published in 1989 by Twelvetrees Press, this first edition presents a concentrated survey of Witkin’s meticulously staged black-and-white tableaux. The book consolidates his radical exploration of the body, mortality, religion, and art history, positioning his work within a deeply symbolic and confrontational visual language.
Witkin’s photographs depict figures that exist at the margins of conventional representation—bodies altered, hybridized, fragmented, or posthumously recontextualized. Yet beyond their initial intensity, these images reveal a rigorous formal structure. Drawing from Old Master painting, religious iconography, and Baroque theatricality, Witkin transforms taboo subject matter into compositions of solemn and often disquieting beauty.
The publication is distinguished by its refined production, with rich tonal gradation and deep blacks that heighten the sculptural presence of each subject. An accompanying essay by Guy Blaisdell situates the work within what he describes as a “human afterworld,” a liminal space where the dead persist as aesthetic and symbolic presences—at once sacred, grotesque, and transcendent.
Rather than operating as provocation alone, Gods of Earth and Heaven proposes photography as a ritual space—one in which mortality, identity, and divinity are staged, examined, and reimagined. As a first edition, it remains a key collectible for scholars and collectors of conceptual and transgressive photography.
Publisher: Twelvetrees Press
Year: 1989
Language: English
Format: Hardcover
Pages: 124 pages
Condition: Very good / fine condition. Clean interior; binding tight; well-preserved copy.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
Couldn't load pickup availability
Where every edition you’ve chosen remains within reach refined, recorded, remembered.