GUY BOURDIN - POLAROIDS
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- $ 4,000.00 MXN
- Regular price
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- Sale price
- $ 4,000.00 MXN
Photographs: Guy Bourdin
Publisher: Éditions Xavier Barral
Year: 2010
Edition: First Edition
Format: Hardcover
Dimensions: 17 × 24.5 cm
Pages: 128
Language: English
Condition: Very Good — light handling wear consistent with age; interior pages clean and well preserved; binding firm.
Polaroids presents a rare and intimate view into the creative process of Guy Bourdin, bringing together 98 previously unpublished Polaroid photographs produced throughout the photographer’s career.
Celebrated for his groundbreaking editorial work for Vogue Paris and his decisive influence on fashion imagery from the 1960s through the 1980s, Bourdin maintained an unusually private relationship with his own practice. These photographs offer a rare point of access to the experimentation behind his highly controlled visual language, revealing images that were largely absent from his public body of work.
Both color and black-and-white Polaroids demonstrate Bourdin’s fascination with narrative ambiguity, unexpected framing, surreal atmospheres, and psychologically charged compositions. Some function as visual notes or experiments, while others possess the autonomy and formal precision of finished photographs, blurring the distinction between working material and independent artwork.
The immediacy of the Polaroid format is particularly revealing. Freed from the scale and production demands of his commissioned fashion work, Bourdin explores fragments of bodies, objects, spaces, gestures, and strange visual encounters with an instinctive economy. The resulting images retain the tension, eroticism, and disquiet that define his better-known photographs while exposing a more spontaneous side of his process.
Influenced by artists and photographers including Man Ray and Edward Weston, Bourdin developed a language in which elegance and provocation, beauty and unease, operate simultaneously. His work helped shift fashion photography away from straightforward commercial representation toward a more cinematic and psychologically complex form of image-making.
A significant publication for collectors of fashion photography and contemporary visual culture, Polaroids offers an unusually direct encounter with the private experimentation underlying Bourdin’s enduring photographic legacy.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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