GUY BOURDIN - POLAROIDS
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- $160.00 USD
- Regular price
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- Sale price
- $160.00 USD
Polaroids presents a rare and intimate view into the creative process of Guy Bourdin, one of the most influential figures in twentieth-century fashion photography.
Published by Éditions Xavier Barral, this volume brings together 98 previously unpublished Polaroid photographs produced throughout Bourdin’s career. While celebrated for his groundbreaking editorial work for magazines such as Vogue Paris and for redefining fashion imagery during the 1960s - 1980s, Bourdin remained intensely private and rarely allowed insight into his working methods.
The photographs reveal the visual experimentation that underpinned his distinctive aesthetic. Both color and black-and-white images demonstrate his fascination with narrative ambiguity, unexpected compositions, surreal atmospheres, and psychologically charged scenes. Many of the Polaroids function as independent artworks rather than preparatory studies, offering a direct glimpse into Bourdin’s imagination.
Influenced by figures such as Man Ray and Edward Weston, Bourdin developed a visual language that merged elegance with provocation, helping elevate fashion photography into the realm of contemporary art.
A significant publication for collectors of fashion photography, contemporary visual culture, and Bourdin’s enduring legacy.
Publisher: Éditions Xavier Barral
Year: 2010
Edition: First Edition
Language: English
Format: Hardcover
Dimensions: 17 × 24.5 cm
Pages: 128 pages
Condition: Very Good. Light handling wear consistent with age; interior pages clean and well preserved; binding firm.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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