EGOISTE NO. 11
- Regular price
- $275.00 USD
- Regular price
-
- Sale price
- $275.00 USD
Published by Éditions Cassini, Paris | 1989
Softcover, large-format magazine, approx. 36 x 27 cm
Language: French
This highly sought after issue of Egoïste features actress Isabelle Adjani on the cover, captured in grand format. Edited and published by Nicole Wisniak, the magazine is renowned for its blend of avant garde photography, literature, and cultural commentary.
The content of this edition is remarkable, including portraits and contributions from some of the most influential figures of the 20th century: Marella Agnelli, Richard Avedon, Mikhaïl Gorbatchev, David Lynch, Twyla Tharp, Guy Bourdin, Samuel Beckett, Francis Bacon, Jorge Luis Borges, Françoise Xagan, Bernard-Henri Lévy, and Angelo Rinaldi.
With its mix of cinema, fine arts, literature, architecture, photography, and interviews, Issue 11 epitomizes Egoïste’s identity as “the subjective dictionary of an era,” showcasing bold editorial vision and iconic collaborations that transcend time.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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