CHROME HEARTS MAGAZINE - VOL.1
- Regular price
- $ 4,000.00 MXN
- Regular price
-
- Sale price
- $ 4,000.00 MXN
Publisher: World Photo Press / Chrome Hearts
Issue: Vol. 1 (2000) — Inaugural Issue
Edition: Japanese first edition (クロムハーツマガジン)
Language: Japanese
Editor: Teruhiko Doi (土居輝彦)
Cover Subject: Richard Stark, Chrome Hearts co-founder
Photography: Laurie Lynn Stark is credited for photography across Series 1; individual cover photograph credit for Vol. 1 remains unconfirmed.
Includes: Magazine only; original poster and CD not included.
Format: Softcover, 28.2 × 21 cm, 62 pages
Condition: Excellent overall condition, with no significant defects or notable damage. Minor signs of age and natural wear consistent with time. Very well preserved.
Published in 2000, Chrome Hearts Magazine Vol. 1 is the inaugural issue of the brand’s official publication and a document of its early cultural universe. Featuring Richard Stark on the cover, the issue offers an intimate look at the people, objects and ideas surrounding the Los Angeles-based house at the turn of the millennium. Its contents include Family, Daryl Trivieri, Chrome Hearts Column, People, Eyewear, Items, Rock of Ages, an interview with Tadanori Yokoo, an interview with Elijah Blue Allman, Minerals and Bear Puzzle. The issue brings together fashion, jewelry, art, music and personalities connected to the brand, presenting Chrome Hearts as a world shaped by its own community rather than simply a luxury label. <strong>This is the first volume of Series 1, originally published in Japan in 2000.</strong>
Chrome Hearts Magazine is the house publication of Chrome Hearts, the Los Angeles brand founded by Richard Stark, Leonard Kamhout and John Bowman in 1988. Known for its sterling silver, leatherwork and gothic iconography, the brand developed a distinct visual language that extended beyond fashion into music, art and counterculture. Originally released between 2000 and 2008, Series 1 documents this world through photography, interviews and editorial features, with contributions from the brand’s extended circle of artists and musicians. The series was accompanied by collectible inserts across its run, including music CDs, fold-out posters and stickers. Vol. 1 marks the beginning of this publishing project, capturing an early chapter in Chrome Hearts’ history.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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