ANNIE LEIBOVITZ: PHOTOGRAPHS 1970–1990
- Regular price
- $ 4,200.00 MXN
- Regular price
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- Sale price
- $ 4,200.00 MXN
Photographer: Annie Leibovitz
Publisher: HarperCollins
Year: 1991
Edition: First Edition
Language: English
Format: Softcover
Subject: Photography, Portraiture, Documentary Photography
Period: 1970–1990
Condition: Very Good. Light handling wear consistent with age; minor surface marks to covers. Interior clean and well preserved; binding firm.
Photographs 1970–1990 is a landmark monograph by Annie Leibovitz, presenting a comprehensive survey of two pivotal decades in the photographer's career and documenting her transformation from a young photojournalist into one of the most influential portrait photographers of her generation.
Published in 1991, the volume traces Leibovitz's development from her early work for Rolling Stone, where she photographed musicians and documented the rapidly changing culture surrounding American rock music, through her later editorial and portrait commissions. Across these twenty years, her photographs record a broad spectrum of American cultural and public life.
The book brings together portraits of musicians, actors, writers, artists, political figures, and other cultural personalities, alongside documentary photographs made in environments ranging from concerts and recording studios to political events and private spaces. The breadth of the selection reveals the considerable range of Leibovitz's photographic practice beyond the individual celebrity portrait.
One of the defining characteristics of Leibovitz's work is her ability to combine intimacy with theatrical construction. Her portraits frequently place recognizable figures within carefully controlled environments, using lighting, gesture, costume, setting, and composition to construct images that are simultaneously highly staged and psychologically revealing.
Her early documentary approach remained an important foundation for this later practice. The immediacy and observational quality developed during her years at Rolling Stone continued to inform her approach to portraiture, even as her photographs became increasingly elaborate in scale and production. The resulting images occupy a distinctive space between photojournalism, editorial photography, portraiture, and staged photography.
The period covered by the book also corresponds to significant changes in the role of photography within popular culture. Leibovitz's images became closely associated with the personalities and events they depicted, contributing to the visual record of music, entertainment, politics, and contemporary art during the 1970s and 1980s.
Published by HarperCollins in 1991, this first edition brings together a substantial selection of photographs from across Leibovitz's first two decades of professional practice. Rather than focusing on a single photographic genre, the volume demonstrates the breadth of her visual language and the evolution of her relationship with her subjects.
The book remains an important reference for understanding Leibovitz's transition from documentary and music photography toward the highly constructed portraiture for which she would become internationally recognized. It captures a period in which her photographs increasingly blurred the boundaries between private personality and public image.
An essential retrospective of Leibovitz's early career, Photographs 1970–1990 offers a wide-ranging record of American cultural life, celebrity, music, politics, and portrait photography across two transformative decades of the twentieth century.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
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