ANDERS PETERSEN: DU MICH AUCH
- Regular price
- $145.00 USD
- Regular price
-
- Sale price
- $145.00 USD
Photographs & text: Anders Petersen
Editor: Gösta Flemming
Layout: Gösta Flemming, Patric Leo, Anders Petersen
Design: Patric Leo (Leo Form AB)
Translation: Peter Hogan
Printed by: EBS, Verona, Italy
Publisher: Journal, Stockholm
Year: 2002. First edition.
Format: Semi-hardcover (imitation-leather boards with title label, as issued)
Dimensions: 24.5 × 19.8 cm
Pages: 112, with 72 black-and-white plates
Language: Swedish / English
ISBN: 978-91-973629-2-4
Condition: Good. Due to the book's format, the upper-right and lower-right corners show minor bumping to the boards; otherwise clean and well preserved. Text block and interior fine.
Published by Journal in Stockholm in 2002, this first edition presents one of Anders Petersen's most intimate and emotionally charged bodies of work. Renowned for his uncompromising humanism, Petersen has spent decades photographing life at its most vulnerable, producing images that dissolve the distance between photographer and subject.
Comprising seventy-two richly printed black-and-white photographs, the book reflects Petersen's unmistakable visual language raw, immediate, and profoundly empathetic. His photographs embrace imperfection, closeness, and emotional intensity, revealing moments of tenderness, solitude, desire, and fragility with remarkable honesty.
Edited by the legendary Gösta Flemming, whose collaborations helped define the modern Scandinavian photobook, and designed by Patric Leo, this beautifully produced volume exemplifies the understated excellence of Swedish photographic publishing.
An essential publication by one of the most influential photographers of the contemporary European documentary tradition.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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