ZOOM NO. 19
- Regular price
- $217.00 USD
- Regular price
-
- Sale price
- $217.00 USD
A scarce and highly collectible issue of ZOOM – The International Image Magazine, this United States edition reflects the publication’s influential role in shaping discourse around photography, advertising, and visual design.
Renowned for its large-format presentation and high production quality, ZOOM brought together leading photographers and image-makers through carefully curated portfolios and editorial features. This issue includes multi-page contributions by Robert Doisneau, Jérôme Ducrot, and Marty Evans, offering a diverse range of photographic approaches and visual narratives.
The cover is by Sarah Moon, whose distinctive, atmospheric style sets the tone for the publication’s refined and image-driven sensibility.
Printed in a generous large format, the magazine emphasizes visual impact and clarity, making it both a compelling reading experience and a valuable reference for designers, collectors, and photography enthusiasts. As a U.S. edition, it carries additional appeal for those interested in the international circulation of photography publications.
A rare vintage issue that captures the editorial ambition and visual culture of its time.
Publisher: ZOOM – The International Image Magazine (U.S. Edition)
Format: Large-format magazine
Dimensions: 24 × 33 cm
Condition: Good condition. Used copy with visible wear consistent with age.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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