WARHOL & MAPPLETHORPE: GUISE & DOLLS

Artists: Andy Warhol & Robert Mapplethorpe
Editor: Patricia Hickson
Contributors: Eileen Doyle, Vincent Fremont, Jonathan D. Katz, Tirza True Latimer, Christopher Makos, Eileen Myles, Maria Luisa Pacelli
Jacket design: Rita Jules, Miko McGinty Inc.
Printed in: Italy
Publisher: Yale University Press / Wadsworth Atheneum Museum of Art

Year: 2015. First edition.
Format: Hardcover with dust jacket
Language: English
ISBN: 978-0-300-21433-8
Condition: Fine. The book is in perfect condition, without any visible defects or imperfections to the cover, dust jacket, or interior.

Warhol & Mapplethorpe: Guise & Dolls examines the relationship between Andy Warhol and Robert Mapplethorpe, two artists whose photographs and artistic practices transformed the representation of identity, celebrity, desire, and the body in late twentieth-century visual culture.

Published by Yale University Press in association with the Wadsworth Atheneum Museum of Art, Hartford, this 2015 first edition accompanies the exhibition Guise & Dolls, bringing together a substantial body of material that explores the connections, contrasts, and shared cultural terrain between the two artists.

Edited by Patricia Hickson, the volume includes essays by Patricia Hickson, Jonathan D. Katz, Tirza True Latimer, and Maria Luisa Pacelli, alongside firsthand accounts by collaborators including Vincent Fremont and Christopher Makos, a text by poet Eileen Myles, and an illustrated timeline. With 148 color illustrations, the publication offers a richly documented examination of the artists' practices and the cultural environments in which they worked.

Warhol and Mapplethorpe approached portraiture and self-presentation through markedly different visual languages, yet both understood the image as a powerful site of construction. Warhol's photographs often engage with celebrity, repetition, and the circulation of public identity, while Mapplethorpe's work is characterized by its formal precision, sculptural attention to the body, and sustained investigation of sexuality, beauty, and power. Their work also reflects the changing relationship between photography, the art market, and the visibility of queer artistic communities in New York.

The volume's essays and firsthand accounts extend beyond a simple comparison of two artists, situating their practices within a broader history of portraiture, performance, celebrity culture, and the politics of representation. The illustrated timeline further establishes the historical relationships and parallel developments that shaped their careers.

With jacket design by Rita Jules and Miko McGinty Inc., and printed in Italy, this hardcover edition is both an exhibition catalogue and a substantial contribution to the literature surrounding two of the most influential image-makers of the twentieth century.