Front cover of VISAGE Men’s Bigi Magazine Vol. 2 (1988), special issue on “The Chelsea Era.”
08
Photographic spread depicting the Chelsea Hotel atmosphere in the 1988 VISAGE magazine.
Essay spread featuring Pete Hamill’s text and Elliott Erwitt photographs in VISAGE Men’s Bigi Magazine (1988).
Portrait and profile layout of New York cultural figures in the 1988 VISAGE Chelsea Hotel issue.
Feature section on Robert Mapplethorpe in VISAGE Men’s Bigi Magazine Vol. 2 (1988).
Profiles of William S. Burroughs, Arthur C. Clarke, and Clifford Irving inside VISAGE Vol. 2 (1988).
Visual and textual collage illustrating New York subculture in VISAGE Men’s Bigi Magazine (1988).
Back cover of VISAGE Men’s Bigi Magazine Vol. 2 (1988), Japanese publication on Chelsea Hotel culture.
Front cover of VISAGE Men’s Bigi Magazine Vol. 2 (1988), special issue on “The Chelsea Era.”
Photographic spread depicting the Chelsea Hotel atmosphere in the 1988 VISAGE magazine.
Essay spread featuring Pete Hamill’s text and Elliott Erwitt photographs in VISAGE Men’s Bigi Magazine (1988).
Portrait and profile layout of New York cultural figures in the 1988 VISAGE Chelsea Hotel issue.
Feature section on Robert Mapplethorpe in VISAGE Men’s Bigi Magazine Vol. 2 (1988).
Profiles of William S. Burroughs, Arthur C. Clarke, and Clifford Irving inside VISAGE Vol. 2 (1988).
Visual and textual collage illustrating New York subculture in VISAGE Men’s Bigi Magazine (1988).
Back cover of VISAGE Men’s Bigi Magazine Vol. 2 (1988), Japanese publication on Chelsea Hotel culture.

VISAGE VOL. 2 — “THE CHELSEA ERA” (1988)

$68.00 USD
$68.00 USD
Shipping calculated at checkout.
Out Of Stock

Published by: Men’s Bigi, 1988
Softcover, 72 pages
32.7 × 24.4 cm
Language: Japanese
Condition: Very Good. 

A striking and atmospheric 1988 issue from Visage Men’s Bigi Magazine, devoted entirely to “The Chelsea Era” a mythic portrait of New York's Chelsea Hotel and the constellation of artists, writers, musicians, and drifters who made it a cultural epicenter.

This issue brings together an unexpected blend of reportage, photography, and literary fragments, beginning with Pete Hamill’s evocative essay on the light and shadow of New York, accompanied by the unmistakable lens of Elliott Erwitt, whose images capture the Chelsea Hotel with both irony and melancholy.
Inside, the magazine drifts through the hotel’s labyrinthine history:

its legendary inhabitants,
its improvised communities,
its collisions of genius and ruin.

Profiles include figures such as Arthur C. Clarke, William S. Burroughs, Clifford Irving, and Richard Lingeman, interwoven with poetic reflections on Sam Shepard, Patti Smith, and the fragile romances that haunt the corridors of the hotel.

A particularly notable section is the visual and conceptual study on Robert Mapplethorpe, exploring his sensibility through the lens of “various designs” a rare Japanese interpretation of his artistic rigor. The issue concludes with Keita Konishi’s wandering text, a dérive through Manhattan guided only by instinct and footfall.

Printed in 1988, this magazine is both a cultural time capsule and a beautifully assembled homage to the Chelsea Hotel’s mythos blending journalism, photography, and urban mythology in a way only Japanese editorial culture could achieve. A scarce and atmospheric artifact for collectors of New York ephemera, photography, subculture histories, and Japanese print culture.

Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.

We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.

Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.

To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.

We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.

Front cover of VISAGE Men’s Bigi Magazine Vol. 2 (1988), special issue on “The Chelsea Era.”

VISAGE VOL. 2 — “THE CHELSEA ERA” (1988)

$68.00 USD
$68.00 USD

Fragments of culture, preserved in the quiet.

Traces of devotion, arranged for a moment.

Close-up detail from the 12-inch vinyl Wunderbar / Health Dub — Christiane F.’s voice suspended in plastic and light.

Traces of devotion, arranged for a moment.

Traces of devotion, arranged for a moment.

TULSA TULSA

TULSA

$225.00 USD
$225.00 USD
Front cover of the 12-inch vinyl Wunderbar / Health Dub by Christiane F., Playhouse Records 2003, Germany. Reverse sleeve of Christiane F. / Christiana’s 12-inch vinyl Wunderbar / Health Dub — Playhouse Records, 2003.

WUNDERBAR / HEALTH DUB

$261.00 USD
$261.00 USD
EGOISTE NO. 11 EGOISTE NO. 11

EGOISTE NO. 11

$275.00 USD
$275.00 USD

Other fragments from the same quiet world.