AN AFFLICTED MAN'S MUSICA BOX
- Regular price
- $160.00 USD
- Regular price
-
- Sale price
- $160.00 USD
Label: United Dairies – UD 012 / UD012 / UD.012
Format: Vinyl LP, Compilation, Repress Burned Man Cover (Second Version)
Country: UK
Released: 1985
Genre: Electronic, Rock
Style: Modern Classical, Industrial, Abstract, Experimental
Condition: Very Good overall vinyl clean with minimal signs of handling; sleeve with light wear consistent with age.
Tracklist
A1 Jacques Berrocal – Conseil Des Ministres — 5:41
A2 Anima – Violin Fuchshorn — 4:40
A3 Anima – Fuchsharp Percussion — 8:49
A4 Anima – Piano Fuchsbaß Percussion — 4:06
A5 ’Foetus In Your Bed – Primordial Industry — 6:14
A6 ’Foetus In Your Bed – Industrial Go Slow — 3:39
B1 AMM – Commonwealth Institute 20-4-67 — 15:01
B2 Nurse With Wound – I Was No Longer His Dominant — 9:16
B3 Operating Theatre – In The Neck — 1:43
Credits:
℗ United Dairies
Lacquer Cut at Nimbus • Pressed by Nimbus
Distributed by The Cartel
Back cover artwork by Steven Stapleton
Front cover photography by Produktion
Lacquer cut by GR.
This 1985 United Dairies compilation LP represents one of the label’s most distinctive documentations of experimental sound an edition that brings together a radical lineup of artists working across industrial, modern classical, improvisation, and avant-garde forms.
This copy is the rare second version, recognizable by its Burned Man cover: a stark, haunting photograph on the front (by Produktion) paired with Steven Stapleton’s artwork on the back. Unlike the first pressing featuring the “monster cover,” this edition was issued without inserts and includes updated credits for distribution, lacquer cutting, and photography.
Across two sides, the compilation traces an explosive, dissonant, and exploratory landscape: Jacques Berrocal’s fractured brass interventions, Anima’s feral and percussive experiments, the abrasive industrial tensions of ’Foetus In Your Bed, and the legendary improvisational force of AMM. Nurse With Wound deliver one of their most visceral early contributions, while Operating Theatre closes the record with a brief, surreal miniature.
A key artifact from the mid 1980s underground and an essential piece for collectors of United Dairies, Nurse With Wound, AMM, and the broader industrial/experimental tradition.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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