UNA TEMPORADA EN EL INFIERNO LAS ILUMINACIONES CARTA DEL VIDENTE
- Regular price
- $43.41 USD
- Regular price
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- Sale price
- $43.41 USD
By Arthur Rimbaud
Published by Monte Ávila Editores, Caracas | 1976
Softcover | 137 pages | 17 cm
Language: Spanish
Translated by: Raúl Gustavo Aguirre
Condition: Brand New
A rare Spanish-language edition that gathers three of Arthur Rimbaud’s most visionary texts: A Season in Hell, Illuminations, and Letter of the Seer (Lettre du voyant). Published in Caracas in 1976 by Monte Ávila Editores and translated by the poet Raúl Gustavo Aguirre, this book stands as a luminous gateway into the fevered and incandescent mind of the young French poet who would revolutionize literature before the age of twenty.
These are not just poems they are incantations, fever dreams, and manifestos of a spirit both cursed and blessed. In A Season in Hell, Rimbaud charts a descent into personal and metaphysical anguish; Illuminations offers a kaleidoscopic vision of cities, angels, and hallucinated landscapes; and the Letter of the Seer presents his declaration of poetic revolt a call to become “a visionary through a long, immense and reasoned derangement of all the senses.”
This compact volume is a collector’s relic tender, revolutionary, and steeped in the language of transformation. Essential for readers of modern poetry, mysticism, and the avant garde.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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