THE VELVET UNDERGROUND VOLUME 3 FALL/WINTER 1994
- Regular price
- $60.00 USD
- Regular price
-
- Sale price
- $60.00 USD
Published by: Fierce Pup Productions, New York, 1994
Softcover, 52 pages
21.5 × 28 cm
Language: English
Condition: Very Good. Light handling wear; fully clean, tight, and complete. Includes original ephemera.
The Volume 3 is a scarce and highly collectible issue devoted to the enduring legacy of the Velvet Underground. Published in 1994 by Fierce Pup Productions, this volume offers an exceptional mix of archival material, rare imagery, and exclusive reportage centered on the band’s most mythologized years.
This issue includes:
• Two original flyers produced for the release
• An original banana sticker, referencing Warhol’s iconic 1967 design
• Velvet Undergound NEWS: updates and features on John Cale, Maureen Tucker, Sterling Morrison, and Lou Reed
• Never-before-published photographs from the band’s early era
• Exclusive Doug Yule Feature: A major, in-depth interview in which Yule often regarded as the most elusive and least documented member of the Velvets speaks openly about his years with the band, offering rare insight into its internal dynamics, creative process, and turbulent history
A standout publication for Velvet Underground collectors, historians, and anyone tracing the evolution of American art rock and its cultural aftershocks.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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