THE BEST NUDES 5 - JEANLOUP SIEFF
- Regular price
- $142.00 USD
- Regular price
-
- Sale price
- $142.00 USD
Photography: Jeanloup Sieff
Series supervision: Itohei Ito, Hideko Hosoe
Design: Machio Katsui
Publisher: Haga Shoten (芳賀書店), Tokyo
Year: 1980. First edition. Printed in Japan.
Format: Hardcover with dust jacket (issued with vinyl protective jacket)
Dimensions: 30 × 22 cm
Pages: 118
Language: Japanese / photographic content
Condition: Good. Generally clean and well preserved throughout, with no significant imperfections. One visible stain to the final blank endpaper. Binding firm; photographic plates clean and unaffected.
Published by Haga Shoten in Tokyo in 1980, this first edition presents the work of Jeanloup Sieff, one of the defining figures of postwar French photography. Celebrated for his unmistakable use of dramatic light, wide-angle perspectives, and sensual black-and-white imagery, Sieff moved effortlessly between fashion, portraiture, landscape, and the nude, creating photographs of remarkable elegance and emotional depth.
Produced as part of Haga Shoten's acclaimed photography series under the supervision of Itohei Ito and Hideko Hosoe, the volume reproduces Sieff's most celebrated photographs with exceptional printing quality. Designed by the renowned Japanese graphic designer Machio Katsui, the publication reflects the extraordinary standards of Japanese photobook production during the late twentieth century.
Both a survey of Sieff's singular visual language and an outstanding example of Japanese photographic publishing, this beautifully produced first edition remains highly sought after by collectors of photography, fashion, and design.
An essential monograph on one of the twentieth century's most influential photographic masters.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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