SPEZIAL FOTOGRAFIE: PORTFOLIO NUMBER 34 TERRY RICHARDSON
- Regular price
- $ 2,500.00 MXN
- Regular price
-
- Sale price
- $ 2,500.00 MXN
Photographs: Terry Richardson
Publisher: Stern
Collection: Spezial Fotografie
Year: 2004
Edition: First Edition
Format: Large-format softcover, portfolio style
Dimensions: 36 × 27 cm
Pages: 94
Language: German / English
Condition: Impeccable — no visible damage; perfectly preserved copy.
Spezial Fotografie: Portfolio No. 34 is a dedicated issue devoted to the work of Terry Richardson, published as part of the influential Stern photography portfolio series.
Emerging from New York’s East Village underground scene in the early 1990s, Richardson developed a photographic language defined by immediacy, direct flash, minimal staging, and an intentionally unpolished aesthetic. Moving between fashion, portraiture, and documentary photography, his images often rejected the polished conventions of commercial photography in favor of something more direct, intimate, and confrontational.
By the mid-1990s and into the early 2000s, Richardson became an increasingly prominent presence within international fashion imagery, contributing to publications including i-D, Vogue, and Harper’s Bazaar, while working across editorial and advertising campaigns. This portfolio captures that period of his practice, presenting a body of work that reflects the tension between underground visual culture and the expanding language of contemporary fashion photography.
The large-format presentation is central to the publication, allowing Richardson’s images to occupy the page with considerable physical presence. The scale reinforces the rawness of his flash photography and the immediacy of his portraits, preserving the visual character that made his work so influential during this period.
A strong collectible within the Spezial Fotografie series and an important document of Richardson’s early-2000s photographic language, situated at the intersection of fashion, portraiture, and underground culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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