TEENAGE JESUS AND THE JERKS LIVE 1977-1979
- Regular price
- $65.00 USD
- Regular price
-
- Sale price
- $65.00 USD
Label: Radiation Reissues – RADK7032
Format: Cassette, Album
Country: US
Released: March 1, 2024
Genre: Rock
Style: No Wave, Punk
Tracklist:
A1 – Less Of Me
A2 – My Eyes
A3 – Popularity Is So Boring
A4 – Orphans
A5 – Eliminate By Night
A6 – Freud In Flop
A7 – Burning Rubber
A8 – I Woke Up Dreaming
A9 – Crown Of Thorns
A10 – Baby Doll
A11 – Race Mixing
A12 – Don’t Talk About Love
A13 – No Morality
B1 – Instrumental
B2 – Baby Doll
B3 – Freud In Flop
B4 – Race Mixing
B5 – Crown Of Thorns
B6 – Red Alert
B7 – The Closet
B8 – Instrumental
B9 – Freud In Flop
B10 – Burning Rubber
B11 – Red Alert
B12 – Orphans
B13 – Eliminate By Night
B14 – The Closet
Personnel:
Guitar, Vocals – Lydia Lunch
Drum, Cymbal – Bradly Field
Bass – Gordon Stevenson (A1–A5), Jim Sclavunos (A6–A11, B1–B14), Reck (A12–A13)
Saxophone – James Chance (A12, A13)
Compiled, Edited, Mastered by Weasel Walter
Photography (Cover) – Eugene Merinov
Recorded At:
Max’s Kansas City, New York, NY (1977–1979)
CBGB’s, New York, NY
Horseshoe Tavern, Toronto, ON
Live 1977–1979 captures the raw architecture of New York’s no wave: dissonant, fractured, and unrepentant.
Fronted by Lydia Lunch, Teenage Jesus and the Jerks reduced punk to its nerve endings no melody, no mercy, only pure collision.
Across recordings from Max’s Kansas City, CBGB, and the Horseshoe Tavern, the band sounds like a system imploding from within, every note a provocation against structure and sentimentality.
Restored and compiled by Weasel Walter for Radiation Reissues, this document remains a vital artefact of sonic nihilism unpolished, unrepeatable, alive.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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