SPLENDEURS ET MISÈRES DU CORPS
- Regular price
- $200.00 USD
- Regular price
-
- Sale price
- $200.00 USD
Published by: Paris Audiovisuel & Paris Musées
Event: Triennale Internationale de la Photographie
Year: 1980s (Triennale publication)
Format: Exhibition Catalogue / Softcover
Language: French
Condition: Very Good. Light age wear and handling marks to covers; slight toning consistent with age. Interior pages clean and well preserved; binding firm.
Splendeurs et Misères du Corps is an exhibition catalogue produced in conjunction with the Triennale Internationale de la Photographie in Paris, a major international event dedicated to contemporary photographic practices.
The publication explores the representation of the human body in photography, examining its aesthetic, symbolic, and conceptual dimensions. Bringing together a wide range of photographers and artistic approaches, the catalogue reflects on the body as both subject and medium simultaneously a site of beauty, vulnerability, identity, and transformation.
The cover image, evocative and sculptural, sets the tone for the publication’s exploration of form, light, and corporeality. Throughout the catalogue, photographic works range from classical studies of the nude to more experimental and conceptual interpretations, highlighting the diversity of photographic expression during the late twentieth century.
As part of the Paris photographic scene, the Triennale played a significant role in shaping critical discourse around photography, positioning it firmly within the context of contemporary art. This catalogue serves both as documentation of the exhibition and as a broader reflection on the evolving language of the body in visual culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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