FIVE GIRLS
- Regular price
- $210.00 USD
- Regular price
-
- Sale price
- $210.00 USD
A landmark early photobook by Sam Haskins, Five Girls stands as a defining work in the evolution of fashion and figure photography during the 1960s.
Conceived while Haskins was living and working in Johannesburg, the project began as a personal exploration outside his commercial practice. Centered around five models, the book presents a sequence of images that move fluidly between clothed and unclothed studies emphasizing movement, personality, and visual rhythm.
Haskins combines graphic composition, bold lighting, and cinematic pacing, constructing a body of work that feels both spontaneous and highly controlled. The images carry a sense of ease and collaboration, capturing moments that blur the line between performance and intimacy.
A defining feature of the publication is its use of photogravure printing, producing exceptional tonal richness and subtle detail. This process elevates the work beyond documentation, positioning the book as a refined and highly collectible photographic object.
A foundational title in twentieth century photobook history.
Publisher: Crown Publishers
Year: 1962
Edition: First US Edition (True First Printing)
Language: English
Format: Large Format Hardcover with Dust Jacket
Dimensions: Approx. 22 × 28 cm
Condition: Near fine. Light general wear to dust jacket (very good condition), now protected in a removable archival sleeve. Slight toning to page edges; interior otherwise clean and binding firm.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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