SAM HASKINS - COWBOY KATE & OTHER STORIES
- Regular price
- $ 4,000.00 MXN
- Regular price
-
- Sale price
- $ 4,000.00 MXN
Artist: Sam Haskins
Publisher: The Bodley Head
Year: 1965
Edition: First Edition
Language: English
Format: Softcover
Dimensions: Approx. 22 × 28 cm
Condition: Very Good. Visible wear and handling marks to dust jacket; surface rubbing and minor imperfections consistent with age. Interior clean and well preserved; binding firm.
Cowboy Kate & Other Stories by Sam Haskins is one of the defining photobooks of the twentieth century, marking a decisive transformation in photographic storytelling by expanding the medium into a cinematic and narrative form.
Centered around the character “Cowboy Kate,” portrayed by Anouska Hempel, the book unfolds through a sequence of stylized, Western-inspired scenes. Rather than presenting photographs as isolated images, Haskins constructs a continuous visual narrative in which individual photographs function as successive moments within a larger story, echoing the rhythm, pacing, and structure of cinema.
Haskins's approach combines fashion photography, portraiture, staged photography, and narrative sequencing, creating a visual language that was particularly innovative for its time. His carefully composed images use movement, gesture, framing, and repetition to establish characters and situations while allowing the narrative to emerge through the relationship between photographs.
The sequencing is central to the experience of the book. Haskins controls the rhythm of the publication through changes in scale, composition, and visual intensity, guiding the viewer through a series of encounters that feel closer to film editing than to a conventional photographic portfolio. The result is a photobook in which the book itself becomes part of the photographic work.
A defining feature of the publication is its use of photogravure printing, a process capable of producing rich tonal variation, deep blacks, and subtle transitions of light and shadow. The resulting images possess a distinctive physical and atmospheric quality, reinforcing the cinematic character of Haskins's photographs and giving the sequence a strong sense of depth and texture.
The Western-inspired setting provides a framework through which Haskins explores themes of identity, performance, femininity, fashion, and desire. “Cowboy Kate” becomes both a character and a visual archetype, allowing the photographer to move freely between fashion imagery and constructed narrative.
Published by The Bodley Head in 1965, this first edition occupies an important position in the history of the photobook. Its innovative combination of image, sequence, printing, and narrative helped broaden expectations of what a photographic publication could be, influencing subsequent generations of photographers working across fashion, editorial, and conceptual photography.
A landmark of fashion and narrative photography, Cowboy Kate & Other Stories remains a highly significant and collectible photobook, celebrated for its cinematic sequencing, distinctive visual style, and lasting influence on the evolution of the photobook as an artistic form.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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