SOME WOMEN
- Regular price
- $155.00 USD
- Regular price
-
- Sale price
- $155.00 USD
Some Women (1989) is one of the most refined and focused bodies of work by Robert Mapplethorpe, dedicated to the female portrait.
Departing from the more controversial aspects of his practice, this publication presents a series of portraits characterized by formal precision, clarity, and sculptural composition. The images emphasize symmetry, light, and structure, positioning the human figure within a classical visual framework.
Mapplethorpe’s approach transforms portraiture into a study of form and presence, where each subject is rendered with a balance of intimacy and distance. The photographs reflect his consistent pursuit of perfection clean lines, controlled lighting, and a deliberate sense of stillness.
Published in large format, Some Women stands as a key work within Mapplethorpe’s late career, offering a distilled vision of his photographic language.
A significant and highly collectible title within twentieth-century photography.
Publisher: Secker and Warburg
Year: 1989
Edition: First UK Edition (First Impression)
Language: English
Format: Hardcover with dust jacket
Condition: Near fine condition. Dust jacket shows very minor wear and light toning, now protected in a removable archival sleeve. Slight toning to page edges; binding firm.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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