ME AND MY BROTHER
- Regular price
- $255.00 USD
- Regular price
-
- Sale price
- $255.00 USD
A hybrid publication by Robert Frank, Me and My Brother extends his practice beyond photography into experimental cinema marking a pivotal moment in his artistic evolution.
Originally completed in 1968 and presented at the Venice Film Festival, the work brings together defining elements of Frank’s vision: an outsider’s perspective, a deep connection to Beat culture, and a focus on marginal figures positioned at the center of the narrative.
Blurring the boundaries between documentary and fiction, the project unfolds as a fragmented visual essay constructed through collage, juxtaposition, and improvisation.
This edition, published by Steidl, includes a sequence of film stills alongside excerpts of dialogue, offering a visual and textual entry point into Frank’s cinematic language. The accompanying DVD presents the re-edited 85-minute version of the film, preserving its intended audiovisual experience.
A layered and unconventional object situated between photobook, film document, and countercultural artifact.
Publisher: Steidl
Edition: Contemporary Edition (film originally released 1968)
Language: English
Format: Half-linen softcover with DVD
Dimensions: 22.5 × 30.4 cm
Condition: Very good condition. Light handling wear; interior clean and well preserved; DVD included.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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