PRINCE, PICASSO
- Regular price
- $330.00 USD
- Regular price
-
- Sale price
- $330.00 USD
Published by: Museo Picasso Málaga, 2012
Hardcover with obi poster, 224 pages
22.5 × 30 cm
Language: English
Condition: Brand New. Completely clean, tight, and pristine; no visible wear.
Prince / Picasso was published on the occasion of Richard Prince’s 2012 exhibition at Museo Picasso Málaga, where the artist presented a provocative new body of work. For this project, Prince produced a series of collages and canvases that irreverently rework Picasso’s most iconic compositions, blending them with nude photographs to create confrontations between art history, authorship, and desire.
Described by the museum as a “radical cannibalisation” of Picasso, these works challenge traditional readings of influence, appropriation, and the erotic image. The volume gathers all eight paintings alongside extensive visual material, unfolding Prince’s characteristically transgressive humor and incisive cultural critique.
This first edition includes the original obi poster wrap and reproduces the full exhibition with clarity and precision a significant publication for collectors of contemporary art, appropriation practices, and Richard Prince’s evolving visual language.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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