RICHARD AVEDON - IN THE AMERICAN WEST (THAMES & HUDSON FIRST EDITION 1985)
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Photographer: Richard Avedon
Photographs & text: Richard Avedon
Design: Marvin Israel & Elizabeth Avedon
Printed and bound: Japan
Publisher: Thames & Hudson, London
Year: 1985. First British edition.
Format: Hardcover, folio
Dimensions: 36.5 × 29 cm
Pages: Unpaginated (approx. 180 pp.), with over 100 full-page plates
Language: English
ISBN: 0-500-54110-8
Condition: Fine. The book is in impeccable condition with no flaws whatsoever, protected by its original clear acetate dust jacket. Interior and boards pristine.
American photographer Richard Avedon presents In the American West, one of the most important and provocative photographic works of the twentieth century and widely regarded as his masterpiece.
Commissioned in 1979 by the Amon Carter Museum in Fort Worth, Texas, In the American West is the result of a five-year project during which Avedon traveled through twenty-one western states, photographing more than a thousand ordinary working people against his signature seamless white backdrop.
Rejecting the romantic myth of the West's openness and grandeur, Avedon turned his camera instead toward its antithesis: miners, drifters, ranch hands, slaughterhouse workers, bar girls, gamblers, and other men and women rendered larger than life, confronting the camera with an intense and unguarded presence. First unveiled in 1985 to equal acclaim and controversy, the series stands as a defining moment in the history of contemporary portraiture.
This first British edition, published by Thames & Hudson simultaneously with the American Abrams edition, brings together more than 100 full-page black-and-white portraits, magnificently reproduced and accompanied by Avedon's own text on his photographic method and philosophy. Printed and bound in Japan, the volume remains a landmark of twentieth-century photographic publishing and one of the defining photobooks of the American West.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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