EVIDENCE 1944-1994
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- $279.00 USD
- Regular price
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- Sale price
- $279.00 USD
Evidence 1944–1994 is the definitive retrospective publication on the life and work of Richard Avedon, produced in conjunction with the landmark exhibition at the Whitney Museum of American Art.
Spanning five decades of photographic practice, the book presents a comprehensive survey of Avedon’s work across fashion, portraiture, and documentary photography. Known for his direct, confrontational style, Avedon redefined modern portraiture, capturing both cultural icons and everyday individuals with equal intensity.
The publication includes a detailed chronology and critical analysis by Jane Livingston, alongside a biographical essay by Adam Gopnik. Together, these texts contextualize Avedon’s evolution and his lasting impact on twentieth-century visual culture.
Structured as both an illustrated checklist of the Whitney retrospective and a visual timeline of Avedon’s career, the book reflects a unique editorial design that merges archival documentation with curatorial narrative.
A cornerstone publication for collectors of photography and museum-grade monographs.
Publisher: Random House
Collection: Whitney Museum Retrospective
Year: 1994
Edition: First Edition
Language: English
Format: Hardcover with dust jacket
Dimensions: 28.96 × 2.29 × 36.58 cm
Pages: 183 pages
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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