PIERRE MOLINIER — ART SPACE YOSHI TSUBOMI (LIMITED EDITION)
- Regular price
- $95.00 USD
- Regular price
-
- Sale price
- $95.00 USD
Publisher: Art Space Yoshi Tsubomi, Tokyo
Year: Not dated. First edition, one of 1,500 copies.
Format: Softcover with pictorial French-fold wrappers
Dimensions: 20 × 20 cm
Pages: 72, with black-and-white photographs
Language: Japanese
Condition: Very Good. Light shelf wear and slight discoloration to the spine; interior clean and well-preserved.
Published by Art Space Yoshi Tsubomi, Tokyo, this limited first edition is part of the distinctive tradition of Japanese photographic publishing in which the book itself becomes an intimate extension of the photographic work.
Limited to 1,500 copies, the volume brings together 72 pages of black-and-white photography in a compact 20 × 20 cm format. The restrained physical scale and monochromatic reproduction create a direct relationship between image and sequence, allowing the photographs to unfold as a sustained visual narrative rather than as isolated works.
The publication's pictorial French-fold wrappers further emphasize its character as a carefully considered photographic object. The combination of modest dimensions, black-and-white imagery, and Japanese-language presentation situates the book within a publishing culture historically attentive to sequencing, materiality, and the relationship between photography and the book form.
Produced in a deliberately limited edition of 1,500 copies, this first edition represents the kind of intimate photographic publication in which circulation, physical presence, and visual sequencing become integral to the experience of the work.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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