PIERRE MOLINIER
- Regular price
- $95.00 USD
- Regular price
-
- Sale price
- $95.00 USD
Published by: Art Space Yoshi Tsubomi, Tokyo, n.d.
First edition
Softcover with pictorial French fold wrappers
20 × 20 cm
72 pages
Black-and-white photographs
Text in Japanese
Limited edition of 1,500 copies
Condition: Very Good. Light shelf wear and slight discoloration to spine; interior clean and well-preserved.
This Japanese catalogue presents a focused selection of the surreal, erotic, and transgressive creations of Pierre Molinier (1900–1976), the French painter and photographer whose staged self-portraits redefined notions of identity, fetishism, and corporeal transformation.
Produced by Art Space Yoshi Tsubomi in Tokyo, this square format volume gathers black and white reproductions of Molinier’s meticulously constructed photographic tableaux. In these works, the artist appears fragmented, multiplied, cross-dressed, or hybridized dissolving fixed gender boundaries and destabilizing the coherence of the body itself. Stockings, mannequins, mirrors, and prosthetic limbs become recurring motifs in a private mythology that merges Surrealism with erotic ritual.
The French fold wrappers and intimate 20 × 20 cm format reinforce the book’s object quality, aligning with Molinier’s own emphasis on artifice, staging, and photographic manipulation. Though published decades after the artist’s death, the catalogue retains the charged atmosphere that defined his practice where desire, performance, and self-invention converge.
As a Japanese publication, this edition reflects Molinier’s enduring international influence and the particular resonance of his work within avant-garde and underground visual culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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