L’ORDRE DES TÉNÈBRES
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- $ 5,500.00 MXN
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Author: Pierre Bourgeade
Publisher: Denoël
Year: 1988
Edition: First Edition
Language: French
Format: Hardcover
Dimensions: 24.5 × 32 cm
Condition: Very Good. Light shelf wear consistent with age; interior clean and well preserved.
L’Ordre des Ténèbres by Pierre Bourgeade is a provocative literary work situated at the intersection of desire, transgression, philosophy, and symbolic exploration. Published by Denoël in 1988, the book reflects Bourgeade's sustained interest in the darker and more ambiguous dimensions of human experience, approaching eroticism not simply as a subject but as a means of questioning social, psychological, and cultural structures.
Bourgeade's writing frequently moves beyond conventional narrative structures, creating a space in which literature, erotic imagination, mythology, and philosophical reflection intersect. In L’Ordre des Ténèbres, desire becomes closely associated with questions of power, ritual, identity, and the boundaries imposed by social order.
The title itself establishes one of the central tensions of the work: the relationship between order and darkness, structure and transgression. Bourgeade's treatment of these oppositions is deliberately unsettling, allowing erotic experience to function as a form of symbolic and intellectual inquiry rather than simply as narrative content.
Eroticism occupies an important position within Bourgeade's broader literary practice. His work repeatedly examines the ways in which desire can challenge established conventions and expose less visible aspects of human psychology. Sexuality, ritual, violence, and fantasy can consequently appear not as isolated themes but as interconnected elements within a larger investigation of human behavior.
The book's large-format 24.5 × 32 cm hardcover presentation gives the publication a distinctive physical presence. Published during the late 1980s, it belongs to a period of French publishing in which literary works engaging with eroticism and taboo subjects could occupy a space between conventional literature, visual culture, and experimental forms of artistic expression.
Bourgeade's approach is particularly notable for the way it places provocative subject matter within a broader cultural and metaphysical framework. Rather than treating transgression as an end in itself, his writing uses it to explore the instability of moral categories, the relationship between individual desire and social structures, and the persistence of ritual and myth within contemporary life.
L’Ordre des Ténèbres can therefore be situated within the tradition of experimental French literature of the late twentieth century, where literary form and subject matter were frequently used to challenge established distinctions between the philosophical, the erotic, and the aesthetic.
Published as a first edition by Denoël in 1988, this volume offers an evocative example of Pierre Bourgeade's literary universe, combining eroticism, philosophical inquiry, symbolic imagery, and transgressive thought within a distinctive late-twentieth-century French publishing context.
A compelling addition for readers interested in French experimental literature, erotic writing, philosophy, mythology, and the cultural history of transgression, L’Ordre des Ténèbres remains a distinctive example of Bourgeade's provocative literary production.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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