Front cover of Peter Moore Photographs (1989), softcover first edition.
08
Interior page showing a Peter Moore photograph documenting avant-garde performance art.
Inside spread featuring Fluxus-era performance imagery captured by Peter Moore.
Interior image highlighting Moore’s documentation of experimental New York art in the 1960s–70s.
Inside page from the 1989 catalog showing one of Peter Moore’s black-and-white performance photographs.
Additional interior photograph by Peter Moore featuring artists from the avant-garde and Fluxus movements.
Additional interior photograph by Peter Moore of Beuys featuring artists from the avant-garde and Fluxus movements.
Back cover of the 1989 Peter Moore Photographs catalog published by Gallery 360°.
Front cover of Peter Moore Photographs (1989), softcover first edition.
Interior page showing a Peter Moore photograph documenting avant-garde performance art.
Inside spread featuring Fluxus-era performance imagery captured by Peter Moore.
Interior image highlighting Moore’s documentation of experimental New York art in the 1960s–70s.
Inside page from the 1989 catalog showing one of Peter Moore’s black-and-white performance photographs.
Additional interior photograph by Peter Moore featuring artists from the avant-garde and Fluxus movements.
Additional interior photograph by Peter Moore of Beuys featuring artists from the avant-garde and Fluxus movements.
Back cover of the 1989 Peter Moore Photographs catalog published by Gallery 360°.

PETER MOORE PHOTOGRAPHS

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Published by: Gallery 360°, 1989, First Edition
Softcover, 44 pages
Language: English
Condition: Good. Shows light signs of age and minor handling wear, but overall well-preserved and in solid condition.

This first edition catalogue presents a concise yet powerful selection of photographs by Peter Moore, one of the most pivotal figures in documenting New York’s experimental art scene. Known for his sharp eye and unobtrusive presence, Moore captured the evolution of performance, happenings, and avant-garde interventions from the early 1960s onward, creating a visual record that remains essential to understanding postwar artistic innovation.

Within these pages are images that trace the spirit of a transformative era—artists pushing boundaries, redefining form, and reshaping the relationship between audience, body, and space. Moore’s photographs offer rare access to the immediacy of these events, portraying figures such as Yoko Ono, Nam June Paik, Joseph Beuys, and other central voices of the Fluxus movement, alongside glimpses of Warhol-era New York and other key cultural moments.

Rather than mere documentation, the works in Peter Moore Photographs stand as independent artistic statements: precise, energetic, and deeply attuned to the atmosphere of experimentation. This 1989 publication remains a vital artifact for collectors and researchers interested in the intersection of

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