PETER MOORE PHOTOGRAPHS
- Regular price
- $173.00 USD
- Regular price
-
- Sale price
- $173.00 USD
Published by: Gallery 360°, 1989, First Edition
Softcover, 44 pages
Language: English
Condition: Good. Shows light signs of age and minor handling wear, but overall well-preserved and in solid condition.
This first edition catalogue presents a concise yet powerful selection of photographs by Peter Moore, one of the most pivotal figures in documenting New York’s experimental art scene. Known for his sharp eye and unobtrusive presence, Moore captured the evolution of performance, happenings, and avant-garde interventions from the early 1960s onward, creating a visual record that remains essential to understanding postwar artistic innovation.
Within these pages are images that trace the spirit of a transformative era—artists pushing boundaries, redefining form, and reshaping the relationship between audience, body, and space. Moore’s photographs offer rare access to the immediacy of these events, portraying figures such as Yoko Ono, Nam June Paik, Joseph Beuys, and other central voices of the Fluxus movement, alongside glimpses of Warhol-era New York and other key cultural moments.
Rather than mere documentation, the works in Peter Moore Photographs stand as independent artistic statements: precise, energetic, and deeply attuned to the atmosphere of experimentation. This 1989 publication remains a vital artifact for collectors and researchers interested in the intersection of
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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