PATTI SMITH, STÉPHAN CRASNEANSCKI & PHILIPPE GRANDRIEUX - MEDEA
- Regular price
- $100.00 USD
- Regular price
-
- Sale price
- $100.00 USD
Artists: Stéphan Crasneanscki, Patti Smith, Philippe Grandrieux
Edited and designed by: Tony Cederteg, Paris
Translations from French: Rachel Valinsky
Publisher: Libraryman, Stockholm
Year: 2023. First edition, one of 1,000 copies.
Format: Paperbound hardcover, linen-thread bound, beige headband; title in white foil on front cover and spine. Offset printed.
Dimensions: 24 × 29 cm
Pages: 256, with 157 color plates
Language: English
ISBN: 978-91-88113-68-9
Condition: Brand new, without any defects.
Published by Libraryman, Stockholm, in 2023, this limited first edition brings together the work of Stéphan Crasneanscki, Patti Smith, and Philippe Grandrieux in a publication that moves between photography, cinema, sound, and the act of collecting.
At the center of the book is Crasneanscki's practice of gathering and preserving fragments of cultural memory. His work approaches objects, images, and recordings not simply as archival material, but as traces of lives, encounters, and histories that continue to resonate beyond their original context.
The presence of Patti Smith introduces a distinctly poetic and autobiographical dimension, while Philippe Grandrieux's contribution extends the publication toward the language of cinema and the physical experience of the image. Together, these perspectives create a dialogue between artists whose practices are grounded in atmosphere, memory, and the relationship between the visible and the intangible.
Edited and designed by Tony Cederteg in Paris, with translations from French by Rachel Valinsky, the volume is conceived as a carefully considered object. Its 256 pages contain 157 color plates, reproduced in an offset-printed edition with linen-thread binding, a beige headband, and white-foil titling on the cover and spine.
Limited to 1,000 hand-numbered copies, this first edition reflects Libraryman's continued engagement with artists whose work exists at the intersection of contemporary image-making, literature, music, and experimental culture. A substantial and materially refined publication, it is both an artist-led document and a meditation on the ways cultural memory is collected, transformed, and preserved.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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