PAINTINGS AND DRAWINGS 1982 - 1988 - ART RANDOM 1991
- Regular price
- $217.00 USD
- Regular price
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- Sale price
- $217.00 USD
An early and revealing document of Vincent Gallo’s visual practice, this volume from the ArT RANDOM series captures his work prior to his broader recognition as a filmmaker, actor, and musician.
Published in 1991 by Kyoto Shoin International as part of its influential ArT RANDOM series, the book offers a concise yet compelling survey of Gallo’s paintings and drawings produced between 1982 and 1988. Across 25 full-color plates, his work reflects a raw, intuitive approach—marked by experimentation, fragmentation, and a distinctly personal visual language.
These early works reveal a multidisciplinary sensibility that would later extend into his cinematic and musical output. Seen in retrospect, the publication provides valuable insight into the formative aesthetic concerns that underpin his later projects, including his breakthrough film Buffalo ’66 (1998).
Compact in format yet significant in scope, the book stands as both an archival record and a collectible artifact—documenting a transitional moment in Gallo’s evolving artistic trajectory.
Publisher: Kyoto Shoin International
Year: 1991
Series: ArT RANDOM
Edition: Second printing
Language: English
Format: Softcover
Pages: 48 pages
Condition: Very good condition
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
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