PAINTINGS AND DRAWINGS 1982 - 1988 - ART RANDOM 1991
- Regular price
- $217.00 USD
- Regular price
-
- Sale price
- $217.00 USD
Publisher: Kyoto Shoin International, 1991
Series: ArT RANDOM
Pages: 48
Language: English
Edition: Second printing
Format: Softcover
Condition: Very good
Published in 1991 as part of Kyoto Shoin’s highly regarded ArT RANDOM series, this volume presents Vincent Gallo’s visual art practice prior to his international recognition as a filmmaker, actor, and musician.
The book includes 25 full-color plates showcasing Gallo’s paintings and drawings created between 1982 and 1988, reflecting his raw, experimental approach and multidisciplinary sensibility. This early glimpse into Gallo’s creative world highlights his aesthetic trajectory before his cinematic breakthrough with Buffalo ’66 (1998).
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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