OBLIQUE STRATEGIES
- Regular price
- $230.00 USD
- Regular price
-
- Sale price
- $230.00 USD
Published by: Various editions (originally conceived 1975)
Format: Boxed card set
Language: English
Condition: Very Good. The box shows a small corner detail consistent with age; overall the set remains clean, complete, and close to new.
Oblique Strategies is not a book in the conventional sense, but one of the most influential conceptual tools produced in the late twentieth century. Conceived by Brian Eno and visual artist Peter Schmidt, this deck of instruction cards operates at the intersection of music, systems theory, conceptual art, and chance based decision making.
Originally developed as a private method to resolve creative deadlock, Oblique Strategies externalizes intuition into language. Each card offers a terse, enigmatic directive neither solution nor command, but a catalyst. These fragments destabilize linear thinking, encouraging disruption, error, and indirection as productive forces. In this sense, the work aligns with Fluxus scores, John Cage’s indeterminacy, and instruction-based art, while remaining uniquely practical and portable.
Used extensively by Eno during the development of ambient music and embraced by artists, designers, filmmakers, and writers, Oblique Strategies became a quiet infrastructure beneath countless cultural works. Its power lies in restraint: minimal language, maximum implication. The deck transforms hesitation into motion, positioning creativity as a system open to chance, interference, and reinterpretation.
Today, Oblique Strategies stands as both a functional creative instrument and a canonical conceptual artwork an object where process becomes form, and where thinking itself is treated as material.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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