NO. 102
- Regular price
- $163.00 USD
- Regular price
-
- Sale price
- $163.00 USD
A refined and collectible issue of ZOOM Magazine, No. 102 offers a focused exploration of photographic expression through both contemporary and historical perspectives.
Published in France in 1983, this first edition centers on the work of François Gillet, whose intimate and poetic nudes are presented through a carefully curated selection. Gillet’s images emphasize sensitivity, restraint, and a nuanced approach to the human form, positioning his work within a tradition of lyrical and contemplative photography.
The issue is further enriched by contributions from a diverse group of artists, including Richard Cerf, whose experimental approach introduces a contemporary and avant-garde dimension, and Paolo Gioli, known for his innovative techniques and exploration of photographic processes. Historical depth is provided through the inclusion of Alphonse Poitevin, a key figure in early photographic experimentation, while Maurice Tabard contributes a surrealist sensibility that blurs the boundaries between reality and imagination.
Together, these works create a layered publication that moves between intimacy, experimentation, and historical reflection. As with other issues of ZOOM, the emphasis on image quality and editorial curation makes it both a visual document and a reference point within photographic publishing.
A valuable addition for collectors and enthusiasts of fine art photography, offering a rich spectrum of styles and approaches within a single issue.
Publisher: ZOOM Magazine (France)
Year: 1983 (No. 102, First Edition)
Language: French
Format: Softcover
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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