MORPHINE DOESN'T WORK IN MAY
- Regular price
- $190.00 USD
- Regular price
-
- Sale price
- $190.00 USD
A deeply personal and rhythmically constructed photobook, Morphine Doesn’t Work in May by Nobuyoshi Araki unfolds as an intimate visual diary shaped by time, repetition, and sequence.
Produced as a first edition, first impression, this volume gathers photographs taken throughout May 2004, arranged in strict chronological order. All images are presented in vertical orientation, creating a distinctive cadence that guides the viewer through Araki’s daily movements and shifting emotional states.
As noted by Araki in the “Photo Explanation” appendix, the vertical format becomes a compositional device in itself where meaning evolves through juxtaposition. The pairing of images across double-page spreads generates subtle narrative shifts, reinforcing his long-standing interest in photography as a fluid and associative medium.
The book opens and closes with images of his beloved cat Ciro on the balcony of his home, framing the sequence with a quiet sense of continuity. Between these moments, the photographs move through Tokyo, Kobuchizawa in Yamanashi Prefecture, work environments, bars, clubs, and scenes of travel blending the everyday with the introspective in a manner characteristic of Araki’s diaristic approach.
The publication is further distinguished by its refined production: an elaborately designed box by Suzuki Hijiri and title lettering by Minori Miyata, who later collaborated with Araki on Empty Words. These elements reinforce the book’s identity as both personal document and carefully conceived object.
A nuanced and collectible work that exemplifies Araki’s ability to transform lived experience into a continuous photographic narrative.
Edition: First Edition, First Impression
Language: Japanese
Format: Medium format hardcover (boxed)
Condition: Near fine condition. Minor shelf wear to boards and band; pages and spine clean and intact.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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