MAN RAY & JEAN COCTEAU - LE NUMÉRO BARBETTE
- Regular price
- $ 4,500.00 MXN
- Regular price
-
- Sale price
- $ 4,500.00 MXN
Photographs: Man Ray
Text: Jean Cocteau
Subject: Barbette
Publisher: Jacques Damase
Year: 1980 — text originally published 1926
Format: Hardcover, publisher’s boards
Dimensions: In-4, approx. 30 × 22 cm
Pages: 80
Language: French
Condition: Impeccable — no visible damage; exceptionally well preserved
Le Numéro Barbette is a seminal collaboration between Man Ray and Jean Cocteau, centered on the legendary performer Barbette and originally conceived in the context of the Parisian avant-garde of the 1920s.
Barbette, the American aerialist and gender-defying stage performer, became a remarkable figure within the artistic circles of interwar Paris. His performances deliberately unsettled conventional distinctions between masculine and feminine identity, using costume, gesture, transformation, and theatrical illusion as integral elements of the act. Through his fascination with performance and constructed identity, Barbette became an important subject for artists and writers associated with the avant-garde.
Man Ray’s photographs move between documentation and deliberate stylization, treating Barbette’s body and performance as material for photographic transformation. His images capture both the theatrical presence of the performer and the instability of the persona itself, allowing identity to appear as something constructed, performed, and continually transformed.
Cocteau’s accompanying text operates in parallel, transforming the stage act into a poetic meditation on illusion, identity, spectacle, and the relationship between performer and audience. Photography and literature converge to create a work in which Barbette becomes more than a documented performer: he emerges as a symbolic figure through which the boundaries between masculinity and femininity, reality and performance, and body and persona are deliberately destabilized.
The 1980 Jacques Damase edition preserves this important encounter between photography, poetry, and performance. Originally published in 1926, Le Numéro Barbette occupies a singular position within the history of European modernism and remains a particularly significant document of the avant-garde fascination with theatrical transformation and the photographic image.
A rare and highly collectible publication for collectors of Man Ray, Jean Cocteau, Surrealism, avant-garde performance, and early twentieth-century photographic history.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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