BAZAAR YEARS
- Regular price
- $250.00 USD
- Regular price
-
- Sale price
- $250.00 USD
Published by: Rizzoli, 1989
Hardcover
112 pages
Language: English
Condition: Very Good / Fine. Clean interior; binding tight; light shelf wear if any.
Man Ray: Bazaar Years explores the celebrated period during which Man Ray contributed to Harper’s Bazaar, redefining the visual language of fashion photography in the 1930s and 1940s. Written by John Esten, this volume focuses on the intersection of Surrealism, modernism, and commercial image making that characterized Man Ray’s editorial output.
Working within the constraints of fashion publishing, Man Ray introduced experimental techniques solarization, unexpected cropping, sharp contrasts, and sculptural lighting transforming fashion photography into an avant garde practice. The images from his Bazaar years reveal an artist who blurred distinctions between art and commerce, bringing Surrealist sensibility into mainstream media.
The book contextualizes these photographs within both art history and publishing history, demonstrating how Man Ray’s editorial work expanded the possibilities of photographic form while influencing generations of image-makers.
As a 1989 Rizzoli publication, this volume stands as a focused study of one of the most innovative chapters in twentieth-century photography where high fashion met radical experimentation.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
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