JAPANESE CATALOGUE 1974

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A significant and historically resonant exhibition catalogue, this publication documents Andy Warhol’s first major solo exhibition in Japan—marking a pivotal moment in the global reception of his work.

Published in 1974 in Tokyo by Asahi Shimbun, the catalogue presents high-quality reproductions of some of Warhol’s most iconic works, including his Campbell’s Soup Cans, Marilyn Monroe portraits, and Brillo Boxes. These images foreground his enduring engagement with mass production, celebrity culture, and consumer imagery—central themes that defined Pop Art’s critical dialogue with modern society.

Beyond visual documentation, the publication includes curatorial essays and exhibition texts that offer insight into Warhol’s methods and conceptual framework. As a Japanese-language edition, it provides a distinct perspective on his international influence, reflecting how his work was interpreted and contextualized within Japan during the 1970s.

Large in format and concise in scope, the catalogue functions both as an archival record and as a cultural artifact—capturing a key moment in the cross-cultural circulation of contemporary art. Its first-edition status further enhances its appeal for collectors and researchers interested in Warhol’s global impact.

A rare and desirable piece that bridges American Pop Art and its reception in Asia.

Publisher: Asahi Shimbun, Tokyo
Year: 1974 (First Edition)
Language: Japanese
Format: Softcover
Dimensions: 31 × 30 cm
Pages: 58 pages
Condition: Brand new

Fragments of culture, preserved in the quiet.

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Other fragments from the same quiet world.