HYSTERIC VOL. 7: RIVER BED
- Regular price
- $345.00 USD
- Regular price
-
- Sale price
- $345.00 USD
Photographs: Osamu Wataya
Director: Nobuhiko Kitamura
Publisher: Hysteric Glamour, Tokyo
Year: 1996. First edition, first printing.
Format: Softcover, photographically illustrated wrappers
Language: Japanese (photographic content)
Condition: Good. Interior clean and free of marks throughout. Front and back covers show visible wear and handling marks consistent with the book's oversized format and age. Binding firm.
Published by Hysteric Glamour in Tokyo in 1996, this scarce first edition belongs to the legendary Hysteric series, the cult publications that brought together some of the most influential photographers working at the intersection of fashion, youth culture, and contemporary image making during the 1990s.
Photographed by Osamu Wataya, the volume reflects the visual language that came to define the era raw, intimate, and unapologetically direct. Combining fashion, documentary sensibility, and underground aesthetics, Wataya's photographs capture the tension between vulnerability and rebellion with striking immediacy.
Produced under the direction of Nobuhiko Kitamura, founder of Hysteric Glamour, the publication embodies the independent editorial spirit that transformed the brand into one of Japan's most influential cultural platforms. Today, titles from the Hysteric series remain highly sought after by collectors of Japanese photobooks, fashion publishing, and contemporary photography.
An increasingly scarce publication documenting the convergence of photography, fashion, and Tokyo's underground visual culture during the 1990s.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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