HOBO MAGAZINE No. 10 — NICK CAVE, RODARTE & JOANNA NEWSOM (2008)
- Regular price
- $60.00 USD
- Regular price
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- Sale price
- $60.00 USD
Magazine: Hobo Magazine
Publisher: Hobo Media Inc., Vancouver
Year: 2008. Autumn/Winter, Issue No. 10.
Format: Softcover magazine
Pages: 138
Language: English
Condition: Fine. In perfect condition, with no visible defects, marks, or signs of wear to the cover or interior.
Founded in Vancouver, Hobo Magazine emerged as an independent fashion and culture publication with a distinctly editorial approach to contemporary image-making. Rather than functioning solely as a conventional fashion magazine, Hobo developed a visual language that brought together fashion, photography, art, music, and emerging subcultures, often giving its pages to artists and image-makers working outside the more commercial structures of the industry.
By the late 2000s, the magazine had become part of a broader independent publishing landscape in which printed fashion publications operated as carefully constructed visual objects. Its editorial identity was shaped by an interest in photography and creative communities, allowing fashion to exist alongside portraiture, art, music, and experimental imagery rather than treating them as separate disciplines.
Issue No. 10, published for Autumn/Winter 2008, reflects this period of Hobo's development. Across its 138 pages, the issue presents the magazine's characteristic intersection of fashion and contemporary visual culture, preserving the atmosphere of an era when independent print publications remained an important platform for photographers, designers, artists, and emerging creative voices.
Published by Hobo Media Inc. in Vancouver, this issue is a representative example of the independent fashion and culture magazine landscape of the late 2000s, a period marked by a strong dialogue between editorial photography, fashion, art, and underground culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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