HISTORY KEEPS ME AWAKE AT NIGHT
- Regular price
- $326.00 USD
- Regular price
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- Sale price
- $326.00 USD
Published by Whitney Museum of American Art | July 17, 2018
Hardcover | 384 pages | 12.3 x 9.3 x 1.5 in (31 x 23.5 x 3.8 cm)
Language: English
ISBN-13: 978-0300221886
Condition: Brand New
A definitive and visually striking monograph on David Wojnarowicz (1954–1992), one of the most fiercely original and politically urgent artists to emerge from the New York art scene of the 1980s. History Keeps Me Awake at Night offers a comprehensive survey of Wojnarowicz’s multidisciplinary practice, spanning painting, photography, installation, film, performance, and writing.
First exhibited in raw, underground spaces in the East Village, Wojnarowicz’s work confronted issues of identity, marginalization, and the devastating impact of the AIDS crisis of which he was both a chronicler and a victim. His art channels rage and tenderness in equal measure, making visible the political violence of silence and erasure.
Published by the Whitney Museum of American Art, this volume includes critical essays by David Breslin, Julie Ault, Gregg Bordowitz, C. Carr, Marvin Taylor, and Hanya Yanagihara, who collectively reassess Wojnarowicz’s place in art history beyond simplistic labels such as “queer,” “East Village,” or “neo-expressionist.” The book also offers in depth analyses of specific works and insights into the artist’s process and archives.
Essential for collectors, curators, and scholars of contemporary art, queer history, and activist aesthetics, this monograph is a landmark tribute to an uncompromising voice.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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