GRONINGER MUSEUM - 1999
- Regular price
- $300.00 USD
- Regular price
-
- Sale price
- $300.00 USD
Published by Gröninger Museum | 1999 | Hardcover | First Edition
Size: 24.5 × 29.5 cm | 174 pages
Language: German
Condition: Brand New
This catalog accompanies Larry Clark’s 1999 exhibition at the Groninger Museum and marks a significant evolution in his work beyond Tulsa and Teenage Lust. Rather than focusing solely on youth subculture photography, the book presents 193 stills extracted from video footage of the 1989 Menendez brothers’ murder trial.
The images deliver a haunting portrayal of teenage boys caught in moments of intense emotion and distress, emphasizing raw vulnerability over narrative. Clark’s signature intensity is evident, yet the work is stripped of sound and text, leaving the viewer to confront the lingering, powerful expressions of youth.
Bound in a black leatherette hardcover, this edition showcases Clark’s shift toward more intimate, disturbing, and psychologically charged imagery, echoing themes from The Perfect Childhood (Scalo, 1995). Limited to 6,000 copies, this first edition remains a highly collectible work for those interested in contemporary photography, youth, trauma, and identity.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
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