GLEN LUCHFORD - ROSELAND
- Regular price
- $ 4,000.00 MXN
- Regular price
-
- Sale price
- $ 4,000.00 MXN
Photographer: Glen Luchford
Model: Kate Moss
Designer: Edward Quarmby
Publisher: IDEA
Year: 2025
Edition: Second Edition — Edition of 1,000
Language: English
Format: Hardcover
Dimensions: 32 × 24 cm
Condition: Brand New.
Roseland presents a complete photographic record of a single-day session between Glen Luchford and Kate Moss, capturing one of the most extensive early portraits of the model at a formative moment in her career.
Photographed in New York on June 23, 1994, the work unfolds inside the historic Roseland Ballroom, an empty and atmospheric interior that becomes both stage and backdrop for the session. Across approximately 235 rolls of film, Luchford develops an extended sequence in which spontaneity and control, intimacy and performance continuously intersect.
Working primarily with natural light and a documentary sensibility, Luchford allows Moss's presence to remain fluid and unguarded. The photographs move between playful, detached, introspective, and highly performative moments, capturing a subject who appears to shift constantly between self-awareness and complete absorption in the space around her.
The scale of the session is central to the character of the work. Rather than reducing the encounter to a small selection of definitive portraits, Roseland preserves the accumulation of images, allowing repetition, variation, gesture, and subtle changes in expression to build a visual narrative over time. The result feels distinctly cinematic in rhythm, with individual photographs functioning as frames within an extended sequence.
Luchford's use of available light and grain gives the photographs a tactile quality characteristic of the photographic language of the 1990s. The empty ballroom provides a restrained architectural setting against which Moss's movements become the principal source of narrative, shifting the work between fashion photography, portraiture, and visual documentation.
Designed by Edward Quarmby, the publication places particular emphasis on pacing and scale. Full-page reproductions allow the grain, texture, tonal variations, and subtle imperfections of the original film to remain visible, preserving the physical character of Luchford's photographs rather than reducing them to conventional editorial images.
Published by IDEA in 2025, this second edition, limited to 1,000 copies, makes an extensive and historically significant body of work available in book form. More than a conventional fashion monograph, Roseland documents an important moment in the development of both Luchford's photographic language and Kate Moss's early public image.
A contemporary fashion document rooted in the visual culture of the 1990s, Roseland offers an intimate and cinematic portrait of Kate Moss while preserving the spontaneity, atmosphere, and extended rhythm of the original session.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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