ROSELAND
- Regular price
- $226.00 USD
- Regular price
-
- Sale price
- $226.00 USD
A complete photographic record of a single-day session between Glen Luchford and Kate Moss, Roseland captures one of the most extensive early portraits of the model at a formative moment in her career.
Shot in New York on June 23, 1994, the work unfolds inside the historic Roseland Ballroom an empty, atmospheric space that becomes both stage and backdrop. Across approximately 235 rolls of film, Luchford constructs a sequence that moves between spontaneity and control, intimacy and performance.
Working with natural light and a documentary sensibility, the images reveal a fluid and unguarded presence shifting between playful, detached, and introspective moments. The result is a body of work that feels cinematic in rhythm, where repetition and variation build a subtle narrative.
Designed by Edward Quarmby, the book emphasizes pacing and scale, with full-page reproductions that allow the grain, texture, and tonal depth of the original film to fully emerge.
A contemporary fashion document anchored in the visual language of the 1990s.
Publisher: IDEA
Year: 2025
Edition: Second Edition (Edition of 1000)
Language: English
Format: Hardcover
Dimensions: 32 × 24 cm
Condition: Brand new.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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