GLEN LUCHFORD - DAMAGED NEGATIVES
- Regular price
- $145.00 USD
- Regular price
-
- Sale price
- $145.00 USD
Photographer: Glen Luchford
Design & creative direction: DJA
Series creative direction: Waterhouse NYC
Printed in Iceland by: Oddi Printing
Publisher: Dashwood Books, New York
Year: 2013. First edition, one of 1,000 copies.
Format: Softcover, stapled wrappers
Dimensions: 24.5 × 17.8 cm (9.5 × 7 in)
Pages: 60, with duotone plates
Language: English
Condition: Fine. In perfect condition, without any visible defects or signs of wear.
British photographer Glen Luchford presents a concise and carefully produced photographic publication, published by Dashwood Books, New York, in 2013 as part of the publisher's ongoing engagement with contemporary photography and artist-led bookmaking.
Known for a photographic language that moves between fashion, portraiture, and a more atmospheric form of visual narrative, Luchford's work is characterized by its attention to mood, gesture, and the psychological charge of the image. His photographs often resist the polished neutrality of conventional fashion imagery, allowing ambiguity, intimacy, and a sense of narrative tension to occupy the frame.
This limited first edition brings together 60 pages of duotone plates, printed in Iceland by Oddi Printing, in a compact softcover format with stapled wrappers. The restrained production emphasizes the relationship between sequence and image, allowing the photographs to unfold as a tightly edited visual statement.
Designed and creatively directed by DJA, with series creative direction by Waterhouse NYC, the publication reflects a collaborative approach in which photography, graphic design, and editorial structure operate as a unified whole.
Limited to 1,000 copies, this first edition is a concise example of the independent photobook as an intimate, materially considered object one that privileges atmosphere, sequencing, and the physical experience of the printed image.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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