FLUXUS V TRE
- Regular price
- $170.00 USD
- Regular price
-
- Sale price
- $170.00 USD
An experimental newspaper-style publication emerging from the Fluxus network, Fluxus V TRE reflects the collective’s radical approach to art, communication, and printed matter.
Edited by George Brecht in collaboration with the Fluxus editorial council, the publication operates as both document and artwork dissolving boundaries between disciplines, formats, and authorship.
Originally rooted in the early 1960s, Fluxus proposed an alternative model of artistic production, favoring circulation, experimentation, and accessibility over traditional art objects. This ethos is evident in the publication’s structure, where collage, typography, and fragmented content coexist without hierarchy.
The layout combines imagery, announcements, and conceptual gestures, referencing performances, editions, and activities connected to key figures such as George Maciunas, Nam June Paik, and Ben Patterson.
A printed artifact that functions as both historical document and active extension of the Fluxus mindset.
Publisher: Primary Information
Collection: Fluxus
Year: 2019
Language: English
Format: Newspaper / Artist publication
Condition: Very good
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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