FINKELSTEIN: THE FACTORY YEARS 1964 - 1967
- Regular price
- $165.00 USD
- Regular price
-
- Sale price
- $165.00 USD
Published in New York City | 2007 | Hardcover | 176 pages
Size: 9.75 x 11.25 inches
Language: English
ISBN: 9781576870907
Condition: Brand New
Set in New York City during the 1960s, Andy Warhol: Finkelstein: The Factory Years 1964 - 1967 offers an extraordinary photographic record of the legendary studio known as The Factory, where the post-war art world met the industrial revolution. Over two years, photographer Nat Finkelstein documented the explosive emergence of Pop Art, capturing both the famous and the unknown in an environment that was subversive, decadent, and electrifying.
Finkelstein’s photographs reveal the icons in the making, including Andy Warhol, Bob Dylan, Lou Reed, Allen Ginsberg, Edie Sedgwick, Nico, as well as earlier legends like Salvador Dali and Marcel Duchamp. The book features 108 duotone and 29 four-color photographs, many of which were previously unpublished color images thought lost for decades.
Designed and sequenced by the renowned firm Pentagram, the volume combines Finkelstein’s striking imagery with his vivid memories, poetic recollections, and sharp commentary, providing an intimate, intellectual, and visual insight into the groundbreaking culture of Warhol’s Factory.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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