EGOISTE NO. 14 TOME II
- Regular price
- $377.00 USD
- Regular price
-
- Sale price
- $377.00 USD
A landmark issue of the cult magazine Égoïste, No. 14 Tome II (Soeur Emmanuelle) continues the publication’s legacy as a highly curated “subjective dictionary” of its time, where photography, literature, and editorial design converge into a singular collectible object.
Published in 2000 by Cassini, this vintage softcover issue brings together contributions from some of the most influential photographers of the 20th century, including Helmut Newton, Richard Avedon, Guy Bourdin, and Paolo Roversi.
Renowned for its precise art direction and exceptional print quality, Égoïste stands apart as a publication where editorial control is as important as the imagery itself. This issue also features literary contributions from Françoise Sagan and Jean d'Ormesson, reinforcing its hybrid identity between cultural magazine and artistic portfolio.
Iconic images within the issue include landmark portraits such as Richard Avedon’s celebrated nude of Yannick Noah and Helmut Newton’s portrait of Ava Gardner works that have become defining references in editorial photography.
Published irregularly and collected as an object of desire, each issue of Égoïste functions as both cultural document and design artifact, making it highly sought after by collectors of photography and contemporary visual culture.
Publication: Égoïste No. 14 – Tome II (Soeur Emmanuelle)
Year: 2000
Language: French
Format: Softcover
Pages: 339 pages
Condition: Very good
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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