EGOISTE NO. 12 TOME II
- Regular price
- $275.00 USD
- Regular price
-
- Sale price
- $275.00 USD
Published by Éditions Cassini, Paris | 1992
Softcover, large-format magazine, approx. 36 x 27 cm
Language: French
Egoïste, founded in 1977 by Nicole Wisniak, is widely recognized as one of the most distinctive and collectible French cultural magazines. Each issue is published irregularly and printed in large format, combining striking photography with intellectually sharp interviews, essays, and literary contributions.
This edition, Issue 12 (Tome II), continues the magazine’s tradition of blending fashion, art, and philosophy with a visually bold aesthetic. The cover by Richard Avedon featuring André and Raphaël Glucksmann reflects the magazine’s enduring commitment to both cultural commentary and high art photography. Egoïste is often referred to as “the subjective dictionary of an era,” capturing moments, personalities, and ideas with timeless resonance.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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