EGOISTE NO. 10
- Regular price
- $ 7,000.00 MXN
- Regular price
-
- Sale price
- $ 7,000.00 MXN
Featured Photographer: Richard Avedon
Cover Subject: Andy Warhol
Additional Photographers: Helmut Newton, et al.
Publisher: Egoïste, Paris
Year: 1985
Edition: No. 10
Language: French
Format: Softcover
Dimensions: Approx. 26 × 34 cm
Pages: 140
Condition: Very Good.
A landmark issue of Egoïste, widely regarded as one of the defining independent fashion publications of the 1980s, No. 10 brings together photography, fashion, art direction, and publishing with an unusually uncompromising visual language.
The issue features Andy Warhol on its cover, photographed by Richard Avedon—a defining encounter between two central figures of twentieth-century visual culture. Avedon’s portrait establishes the tone for a publication built around the intersection of celebrity, fashion, art, and contemporary image-making.
Inside, a dense editorial sequence includes portraits of Chet Baker alongside photographic work by Helmut Newton featuring Sigourney Weaver. The publication moves fluidly between portraiture, fashion imagery, and editorial composition, creating a visual rhythm characteristic of Egoïste at the height of its influence.
Its advertising pages were conceived and art directed internally, including collaborations with major Paris fashion houses such as Chanel. Advertising therefore becomes inseparable from the editorial identity of the magazine, transforming the publication into something closer to an art object than a conventional fashion periodical.
Collector’s Note:
This copy includes the rare original insert / poster section, pp. 61–96, featuring Andy Warhol alongside Factory collaborators. The presence of the complete insert significantly enhances the collectible character of the issue, as this section remains one of the most sought-after elements of the publication.
Egoïste No. 10 stands as an important document of 1980s fashion publishing, preserving a moment in which photography, celebrity, advertising, and art direction converged to redefine the possibilities of the fashion magazine.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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