EGOISTE NO. 10
- Regular price
- $450.00 USD
- Regular price
-
- Sale price
- $450.00 USD
A landmark issue of Egoïste, widely regarded as one of the most iconic fashion publications of the 1980s.
Issue No. 10 features a cover of Andy Warhol photographed by Richard Avedon a defining collaboration between two central figures in 20th century visual culture.
Inside, a dense editorial sequence including portraits of Chet Baker and photographic work by Helmut Newton featuring Sigourney Weaver.
All advertisements were conceived and art directed internally in collaboration with Paris fashion houses such as Chanel positioning the publication as both editorial platform and art object.
A highly collectible vintage fashion magazine and a key reference in photography, fashion editorial design, and 1980s visual culture.
Collector’s Note
This copy includes the rare original insert / poster section (pp. 61–96), featuring Andy Warhol alongside Factory collaborators.
The interior images shown correspond to this insert, which remains one of the most sought-after elements of the publication.
Publisher: Egoïste
Paris, 1985
Language: French
Format: Softcover
Dimensions: Approx. 26 × 34 cm
Pages: 140
Condition: Very good.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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