DENISE COLOMB - PORTRAITS D’ARTISTES: LES ANNÉES 50/60
- Regular price
- $ 3,500.00 MXN
- Regular price
-
- Sale price
- $ 3,500.00 MXN
Photographs: Denise Colomb
Publisher: Éditions Studio 666
Year: 1986
Language: French
Format: Hardcover with dust jacket
Dimensions: 34.3 × 26.7 cm
Pages: 49 photographic plates
Condition: Very Good — dust jacket shows wear and damage to the corners and edges consistent with age, which may affect value as a first edition; interior pages remain clean, intact, and well preserved.
A refined photographic portrait archive by Denise Colomb, Portraits d’Artistes: Les Années 50/60 brings together an intimate record of artists and cultural figures photographed during the 1950s and 1960s.
Published in 1986, the volume gathers 49 photographic plates documenting figures from the worlds of art, architecture, and modernism. Colomb’s approach is notably restrained and attentive, producing portraits that move beyond formal representation to capture gesture, presence, and character.
Among the artists featured are Pablo Picasso, Joan Miró, Marc Chagall, and Le Corbusier, alongside other significant figures of the period. The diversity of the subjects reflects the dense cultural networks surrounding postwar European art and the emergence of new artistic languages during a period of profound transformation.
Rather than relying on theatrical staging or constructed celebrity imagery, Colomb photographs her subjects with an unusual sense of proximity. Her portraits often retain an element of stillness, allowing personality to emerge through expression, posture, and environment. The result is a quieter form of photographic documentation, one grounded in observation rather than spectacle.
Portraits d’Artistes: Les Années 50/60 functions both as a portrait collection and as a historical document of artistic identity. Its large format and restrained presentation give the photographs an archival quality, preserving encounters with some of the defining figures of twentieth-century European culture.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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