DÉJÀ-VU No.9: NAN GOLDIN SPECIAL ("PRIVATE LIFE")
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- $170.00 USD
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- Sale price
- $170.00 USD
DÉJÀ-VU No.9: NAN GOLDIN SPECIAL ("PRIVATE LIFE")
- Regular price
- $170.00 USD
- Regular price
-
- Sale price
- $170.00 USD
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Déjà-vu No. 9 "Private Life" — Nan Goldin Special
Softcover | Out of print | 176 pages
Published by Photo-planète, Tokyo July 10, 1992.
Déjà-vu was the seminal Japanese photography quarterly of the early 1990s,
central to the formation of a Japanese-Western photographic dialogue. Straying
from the technical photography magazines that dominated the industry, it
presented extended photographic features on contemporary photographers, with
accompanying essays in both Japanese and English.
This issue is a landmark: it documents the moment the editors of Déjà-vu invited
Nan Goldin to meet Nobuyoshi Araki while she traveled through Asia in 1992 the
encounter that began one of contemporary photography's most significant
cross-cultural artistic partnerships.
Featuring:
— Nan Goldin (cover & 22 pages)
— Shinzo Shimao (22 pages)
— Tokihiro Sato
— Nobuyoshi Araki (23 pages)
Text in Japanese with contents and summaries in English.
Publisher: Photo-planète, Tokyo
Year: 1992 (No. 9, July 10)
Format: Softcover, photographically illustrated wrappers
Pages: 176
Dimensions: approx. 29.8 × 22.8 cm (11¾ × 9 in)
Language: Japanese / English
Condition: Brand New
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
The Story
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Collector Notes
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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Fragments of culture, preserved in the quiet.
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